War Remnants Museum
War Remnants Museum, formerly known as Saigon’s Exhibition House of American War Crimes, portrays the horrors and details of the Vietnam War. At present it is located within an assemblage of warehouses. However its new building adjacent to its present location is under construction. This museum standing near the city’s famous Reunification palace, with its halls filled with gruesome photographs and a real guillotine, depicts some of the worst brutality that happened during the Vietnam War.
For its graphic descriptions of napalm, photographs of victims and actual weapons, Agent Orange and phosphorus bombs, it is the most crowded of all the museums in Ho Chi Minh City. One room of this museum is devoted to the protest that went on across the globe during those days of war. The disturbing displays of the museum depict the cruelties involved in the killing of innocent civilians, torturing of prisoners, the spreading of poisonous defoliant and the effects of the war in the north.
Tanks, bombs, planes, helicopters used during the Vietnam War are also kept in the Saigon’s War Remnants Museum. Some rooms outside the museum exhibit cultural products, giving you a glimpse of the Vietnamese culture. Since its inception more than six million people have visited this famous museum in Saigon. Among its millions of visitors around one million are foreign tourists.
Vietnam National Museum of history
The National Museum of Vietnamese History is housed in a magnificent example of Indochinese architecture, which were until 1910 the French consulate and the residence of the governor general.
The building was also home to the Ecole Francaise d'Extreme Orient (EFEO), during which time it became a museum to exhibit EFEO finds. Over time the building deteriorated, and it was not until the early 1930s, following a seven-year renovation, that what you can see now was realized. The entrance gives on to an impressive two-storey rotunda with exhibits all around and in many galleries to the rear.
The contents are as fascinating as the building. The ground floor traces Vietnam's ancient history, from the first Neolithic finds through to those of the 15th century. Some items date back as far as 10,000 BC and feature more than just the requisite pottery shards and axe heads. The jeweler, tools and household items archaeologists have unearthed -- along with human and animal remains -- paint a compelling picture of the people who inhabited the region long ago, and provide a sense of how they are tied to Vietnam's modern inhabitants. There's also an excellent selection of bronze drums dating back as far as 500 BC. Ancient military history is also touched on. Corny dioramas of famous battles aside, some of the wooden spikes used by Tran Hung Dao to skewer the Mongolian fleet in 1288 are on display.
The upstairs of the rotunda has a small though impressive collection of Champa pieces -- if you missed the Champa Museum in Da Nang, now is your chance. The rest of the second floor goes from the 15th century up to the 20th. Some familiar sights are here in terms of temple statuary and pearl-inlay furniture, but the statue of Guan Yin -- the 'thousand armed, thousand eyed' manifestation of the Bodhisattva -- is second only to the one in the Fine Arts Museum
Vietnam National Museum of Ethnology
This is the most recent yet probably the largest and undoubtedly the most interesting Museums in Hanoi and Vietnam. The Museum comes out of the recognition that Vietnam is a multi - ethnic country and that more attention should be paid to promote socio - cultural diversity. Despite being out of the way compared with other museums in Hanoi, Vietnam Museum of Ethnology is worth a thorough visit, for those who are keen to learn about the multiculturalists of Vietnam and for those would appreciate some green apace.
There are indoors section while the in - housed exhibition is particularize, the outdoors display and actives make the museum stand out from the rest. There is a number of house modeling after the traditional architecture of ethnic minorities, especially those while live in Northern and Central highlands
You will be blown away by the elaboration of these architectures, at the same time being thoroughly need in traditional mages and activities such as water puppet show, calligraphy, stone game (O An Quan). The museum is especially a great choice for those who cannot find time to visit remote areas where live the majority of Vietnam ethnic minorities.
Hue Museum of Royal Fine Arts
The Royal Fine Arts Museum has been relocated from nearby the citadel to a former royal residence downtown known as Cung An Dinh or An Dinh Palace. It’s an impressive building that was commissioned by Khai Dinh, Vietnam’s second last king in the early twentieth century. It was almost totally ruined during its post 1975 life as the Hue Labour Union headquarters.
The museum is modest given its subject matter but it’s definitely worth a visit. It’s located in a small structure in the grounds of the main palace and the collection includes pottery, porcelain and costumes from the Nguyen Dynasty.
The main palace building has recently been restored as part of a German Government aid project with the help of German specialists. It contains a number of large murals and other ornate wall decorations.
You can easily combine a visit here with a visit to the Tu Cung residence a couple of hundred meters away westward along the canal. Information here is even scarcer than at most of Hue’s historical sites but it seems both the last two queens lived here at different times during the twentieth century. There are photos and other memorabilia of Vietnam’s final two imperial families.
Cham Museum in Danang
The Cham Museum in Danang is the largest collection of Cham sculpture and artwork in the world. Whenever visiting the museum, you still perceive an individual atmosphere particular to this place, the reverie of reminiscences.
Situated in a quiet area of Da Nang City, Cham Museum was built in 1915 according to the motifs of ancient Cham Architecture. At first it was named the Henry Parmenties Museum. The museum is officially known as the Museum of Champa Sculpture. The kingdom of Champa (or Lin-yi in Chinese records) controlled what is now south and central Vietnam from approximately 192 through 1697. The empire began to decline in the late 15th century, became a Vietnamese vassal state in 1697, and was finally dissolved in 1832. At present, the museum houses 297 stone and terracotta sculptural works made between the 7th and the 15th centuries. These are impressive works typical of the Cham culture.
According to Chinese chronicles, the Champa kingdom was founded in 192 A.D and had different names such as Lin-Yi, Huang-Wang and Chang-Chen. Its territories stretched from south of the Ngang Pass in Quang Binh Province to the delta area of the Dong Nai River in Binh Thuan Province. It included the coastal plains, highland and mountain ranges.
Influenced by the early Hindu civilization, the Champa kingdom was a federation of several smaller states called Mandala and comprised several ethnic groups.
The most important legacy of the Champa kingdom is located in Central Vietnam in the form of brick temples and towers which are scattered over the coastal lowlands and highlands. The structures date from between the 7th and 8th centuries to the 16th and 17th centuries and are concentrated in Quang Nam, Danang, Binh Dinh, Khanh Hoa, Ninh Thuan and Binh Thuan.
The Cham Museum was built in Cham architectural style, using thin lines that are simple and gentle. The museum displays an intensive and diverse collection of Champa sculpture dating from the 7th to the 15th centuries, when a matriarchal society prevailed.
The museum was established at the end of the 19th century by the Ecole Francaise d'Extreme Orient with a collection of artifacts gathered in central Vietnam, from Quang Binh to Binh Dinh. They were then displayed at Le Jardin de Tourane on a small hill by the Han River. This is the site of the present museum. The building was designed by two French architects, Delaval and Auclair, in imitation of the most commonly used aspects of Champa towers and temples. At present, the museum displays approximately 300 sandstone and terra-cotta sculptures, among which some are made from terracotta. Most of the artifacts are masterpieces of Champa art and some are considered to be equal to works anywhere in the world. The sculptures were collected from Cham temples and towers throughout Central Vietnam, more specifically the area stretching from Quang Binh to Binh Thuan. All the sculptures are displayed in ten showrooms named after the localities where the pieces have been discovered.
After viewing the pieces in the showrooms, you can visit exterior exhibitions. The arts of the Champa were chiefly sculpture, but the sculptures are only part of the religious architecture. The temples and towers themselves are considered to be sculptural artifacts. They are decorated on the exterior of their brick walls with bas-relief columns, flowers and leaves and worshipping figures between brick pillars. The tympana, lintels and the ornamental corner pieces are of sandstones carved with the figures of gods, the holy animals of the Hindus and flowers and leaves.
The artifacts displayed at the museum are altars, statues and decorative works collected from Hindu and Buddhist temples and towers. Champa sculpture displays various styles. Sometimes they were influenced by other cultures but no matter at what period or in what style the Champa artifacts were made they always displayed original characteristics.
Visitors to the museum will have the opportunity to appreciate the eight centuries of evolution of Champa sculpture from its golden age to its decline. In their own way, the artifacts exemplify the rise and fall of the Champa civilization. When we stand before these artistic masterpieces we can comprehend the noblest ideal of art, the creation of the infinite from the finite. The eight centuries of art at the Champa museum is a thick history book reflecting the ups and downs of Champa art. From inanimate stones came living art, and from these wonderful invaluable artifacts we can get the feeling that the warmth from the Champa artists' hand is still there, on the fine skin of the stone-timeless.
The sculptures displayed here almost have the same drifting life as the very destiny of the once-glorious culture that generated them. Through the ruins of time, war and even the oblivion, such original Champa sculptures were hardly collected and brought here by many human generations. And in this systematic collection, these works of the ancient Champa artists again have a new life.
Coming to visit the museum, it seems that you can see again the glorious time of the past of a nation for whom both the passion for art and the creative talent were already at a very high level. The mysterious world of deities, the pictorial legends, the religious symbols, the curving lines of the bodies of dancing girls, the features of full swelling breasts, the smiles of a vague time, all of these are shown very lively and in much in details.
The art of Champa, although influenced by the Hindu themes of India and Southeast Asia, has many elements that make it distinctive. Temples in Champa were made of bricks. As a result, artists did not have long expanses of wall to decorate with bas-reliefs depicting Hindu epics or phases of Buddhist life as seen, for example, at Angkor Wat. The Chams incorporated their sculptures into their temple architecture by carving them separately and making them part of the construction. These carvings are classified into four main groups: Icons; Pedestals; Pediments; Fragments of architectural decorations at the base or on various ties of the temple.
Travel tip shared by Lanh Nguyen